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13:12

(In »Participatory culture, religious rituals and psychedelic practices«)

In accordance with the reasoning above, if we regard atheism as an emergent phenomenon in relation to theism, the fundamental dismissal of the concept of God no longer appears as such – that is, that which gives the position its name – as its most important theological achievement. No, atheism’s most substantial achievement is its summation of all sorts of theist positions as a uniform and cohesive alternative to repudiate, that is, atheism’s dialectical construction of theism as an idea. Seen as an emergent phenomenon in relation to atheism, as the historical and intellectual intensification of atheism, syntheism in turn is a metareligion, a faith that its practitioners unabashedly practice as a pure religion in itself. Thereby it also confirms and supports all other art forms’ freedom to act from the metaperspective: art as art for art’s sake, literature as literature for literature’s sake, philosophy as philosophy for philosophy’s sake, and so on. And therefore syntheism instinctively rejects all of individualism’s calculations of utility. What syntheism seeks instead are the place and the time for itself as an event. This event is manifested within love, art, science, politics and religion: syntheology’s five generic categories.