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13:31

(In »Participatory culture, religious rituals and psychedelic practices«)

This would mean that if syntheism were to be linked to the Renaissance and Romanticism, melancholy is also the key to syntheist art. Which of course also applies in the reverse direction: for art, syntheism is the only possible way away from individualistic isolationism towards the holism of network dynamics. But it also requires an artist who builds her work on participatory pleasure instead of narcissistic enjoyment. The artistic auteur is thus yet another Napoleonic ideal that must die in the informationalist society. The reason is that syntheist art is created by an artistic dividual who believes in the community’s utopian possibilities, rather than by an artistic individual who revels in a ressentiment vis-à-vis her own time. And this must also occur without the art ever being allowed to fall into the trap of rationalist banality and lose its magic. Art must be constantly founded on and return to Atheos.