Back to index

8:40

(In »From semiotics via memetics to the collapse of militant atheism«)

With the advent of syntheism, we witness the death of the Cartesian theatre – and thereby also the individual. The wide acceptance of memetics gives us a superior alternative to faith in the atomised individual as the centre of existence. We are talking here of a syntheist agent which, in contrast to a Cartesian subject, never imagines that she is a little isolated figure, a sort of tenant who temporarily resides in the body; a passive observer behind the eyes who sometimes reluctantly, sometimes neutrally ontologically speaking, anticipates the surrounding world with which it then communicates via the lips and hands. An agent is instead an actor in various combinations and situations; partly an arbitrarily and temporarily delimited dividual, partly an arbitrarily delimited body, but also a body in collaboration with other bodies and phenomena in her environment. And it is as such an actor, mobile at all levels, in the midst of, and not in any mysterious way preceding the intra-acting – which in every moment is eternalised – that syntheist agentiality can arise as a self-experience.