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9:52

(In »The syntheist agent and her desires and drives«)

The syntheist agent stands out even more clearly with Hegel’s successor Martin Heidegger. He mistrusts Buddhism’s idea of enlightenment as a possible and desirable consciousness beyond the subject, and argues that the subject is located in and expands from its formative illusion. With Heidegger, the illusion is the subject’s engine – that is, identical with syntheology’s Atheos – and not a problem for the existential experience. It is instead the illusory quality that gives the subject its – for Heidegger decisive – presence. Heidegger here stands considerably closer to syntheism than Buddhism. The syntheist agent’s character traits present themselves most clearly in her relation to her own transience. This is the engine of culture: our mortality and the mystery of death. Death is characterised first and foremost by its anonymity; the subject is dissolved at death into a pre-dividual anonymous dimension. To die is to be dissolved into the Universe, to become part of that which is universal, which already within the subject is greater than the particular subject per se. That which dies in death is dividuation and nothing else. According to Gilles Deleuze, the death instinct should primarily be understood as a lack of imagination in relation to the existential experience. A lack of imagination which the syntheist culture is more than happy to remedy, and where the point of departure is given: Be your desire, be your drive, ignore everything else so that you may live life to the full!