Back to index
Truth as an act
An ontological and ethical concept devised by the French philosopher Alain Badiou with inspiration from the father of existentialism, the Danish philosopher Sören Kierkegaard, where the truth never finds the time to be tested through the drawn-out intersubjective processes that Karl Popper and Jürgen Habermas imagine, but rather appears as a decision based on intuition, taken agentially, followed by the incorruptible loyalty of the agent in question to the decision. According to Bard & Söderqvist, the concept is the epistemological cornerstone of syntheist ethics.
Note that philosophy is religion according to the definition we are now putting forward. It follows from this that religion can also be philosophy. In this context, it is important to understand that reality is not quite as real as we are biologically and socially programmed to believe. While philosophy tries to come as close to the truth as possible in life’s chaos of information, religion transforms this information and formulates its own particular truth based on this approximation. When truth is thus regarded as an active endeavour, by definition philosophy should be regarded as truth, while religion is philosophical truth manifested in practice. Syntheology constantly returns to this concept of truth as an act. The passion for activism is the very foundation of syntheist ethics.
The syntheological pyramid starts with a relational interiority with Atheos at the one end, which shifts to a relational exteriority with Pantheos at the other end. In the world of cosmology this even occurs literally: a black hole absorbs, it happens interiorly, while the Universe expands, it happens exteriorly. Exteriority then continues with Entheos, with its explosions of irreducible differences, multitudes and emergences over time, but shifts back to an interiority with Syntheos, as the utopia, the concentrated point or God for all of humanity’s dreams of the future. Atheos and Syntheos are primarily introvert or absorbing concepts, while Pantheos and Entheos are primarily extrovert or expansive concepts. If we express this relation phenomenologically, we say that an eternalism apprehends a mobilism – it is when Atheos is applied to Pantheos that Pantheos emerges as the One: a mobilism that is augmented in the next step and then switches back to an eternalism. It is for example when Entheos is applied to Syntheos that the agent finds its place within the phenomenon and syntheist activism takes shape as the truth as an act.
Faith is always a belief in the impossible being possible. Only a faith without assurances is an authentic faith. That is what the word faith actually means. Therefore syntheistic faith is the authentic faith par excellence. Ultimately, all forms of faith up until syntheism have been based on calculations of utility and anticipated rewards. There is no such speculative appeasement, no servility and no sucking up to an external fetishized power within syntheism. Atheos gives without taking, Syntheos takes without giving, while Entheos is always being recreated, and Pantheos always is. This means that syntheist ethics is based on the principle that the agent gives in and of pure joy, without expecting any kind of reward in return. Syntheism’s ethos is a wilful act, an identification with the act, I am doing this only because I am the one who is to do this, without the slightest trace of the traditional religion’s at times appeasing, at times calculating, ulterior motives. Syntheist ethics is a pure form of activism – rather than a passive reactivism – an activism which in turn is founded on faith; on a faith which through being activated unleashes a truth, the truth as an act, an action that uses the void’s vacuum energy as an engine to revolutionise the world, in order to constantly create the world anew in a similarly constant expansion.
There are only processes in syntheism; everything is pure movement on top of pure movement, and only in the antagonism and oscillation between the extreme states of these fields do eternalisable phenomena arise. The world reflected by perception is the scene of the antagonism between Atheos and Pantheos. This antagonism between Atheos and Pantheos is the phenomenological engine; the oscillation between them is the arena in which the subject can arise as the self-image Atheos, which initially positions itself in relation to and then chooses to project the holy onto the Pantheos world view. This fundamental, religious truth as an act, the movement from atheism to pantheism, generates the dividual entheism, on which syntheists then choose to build the collective syntheism.
A central component in syntheism is how it takes a stand for positive and consequently rejects negative theology. To start with, the repression of the drive.html">death drive has a clear function: according to pantheist ethics we live because the Universe seeks its own existence and its own consciousness through us. As conscious beings we are not only part of the Universe; we human beings also together constitute the Universe’s own consciousness of itself. In syntheological terms, we express this as Pantheos emerging into Syntheos through our truth as an act. But syntheism supports positive theology also because it sees time or Entheos as both a physical and ideological foundation. Death has its place at some point along the arrow of time, but the time for death is not now. The present always belongs to survival in consciousness. Syntheism’s activist ethics can therefore only be constructed out of survival as a propelling principle – not from immortality. Totalist death-worshipping moralism is fundamentally just a form of reactionary masochism.
This has the consequence that syntheist ethics cannot be based on anything other than a kind of constantly variable existentialist adaptation to the irrefutably overwhelming ontic and ontological flows of existence, a pragmatist as well as spiritual subordination in relation to the expanding, mobilist enormity. For us as temporal creatures, this existentialist adaptation must take the form of amor fati, the unconditional acceptance of and love for the past as the basis for syntheist ethics. Once we have accepted the past as one long line of always equally unlikely but nevertheless real actualities in an endless ocean of never realised potentialities – just think of how many millions of sperm nature wasted in order for just one sperm to penetrate the only egg at your own genesis – we turn amor fati towards the future, a future that is open, indeterminist and full of potentialities that can all be brought to life. In this future, the utopia may be highly unlikely and yet fully possible, and this fact becomes the target of our syntheist faith. Amor fati is consummated as a truth as an act in a fixed direction towards the utopia; an act from which everything else of importance in our lives subsequently gets its ethical substance.
The syntheist agent does not seek contact with the outside world from any kind of passive observer position. Instead she lives as an intra-acting phenomenon, participating interactively, at the centre of the world. Quite simply, no original individuation arises that can be regarded or used as the cornerstone of existence. There is no individuation whatsoever. What arises is a dividuation, and it is a by-product of the current region’s many relations and not the other way around. Syntheism does focus at all on the subject, which it decentralises, but takes the inversion of the Cartesian cogito ergo sum very seriously and therefore shifts the existential focus to agentiality as a phenomenon, an intra-acting concentration of intensities, which is an irreducible multiplicity of identities within a diffuse and mobile field. These identities gather around a truth as an act, namely the subjective experience as the impoverished void Atheos within the rich multiplicity Entheos, located in overwhelming existence Pantheos. The subject’s illusoriness is not externalised however, as relativist critics of Descartes and Kant such as Nietzsche, Kierkegaard, Heidegger and Derrida imagine – these philosophers are quite simply not radical enough in their break with Kantian correlationism –they are instead internalised right from the very beginning. The illusory aspect of the subject, its self-experienced substancelessness, is included as a fundamental and integral part of the subjective experience as such.
When it comes to the historically necessary decentralisation of consciousness, syntheism differs radically from objective pantheism in all its variants, such as Buddhism, Hinduism, Sufism and New Age. Searching for a cosmic consciousness outside Man, as these ideologies are doing, is nothing other than a childishly misdirected projection of anthropocentric, internarcissistic fantasies onto something that is particularly ill-suited for this. The truth is that the Universe, with its enormous creative potential, is far too fantastic to need a consciousness. Narrowly limited human beings on the other hand are – probably – the only consciousness in the Universe, since consciousness has arisen solely as a means of damage control, precisely because of Man’s existential limitations. Syntheism therefore only professes itself an adherent to subjective pantheism and not to the objective variant. We choose to project divinity onto existence as a whole – subjective pantheism is instead truth as an act par excellence – instead of believing that the cosmos imposes its divinity on us through a variety of dubious and self-appointed messengers. Syntheologically, we locate consciousness between Entheos (the dividual subject) and Syntheos (the collective subject), dancing on top of Atheos (the engine of the subject). But it is extremely important to keep it as far away as possible from Pantheos and all other superstitions regarding a cosmic consciousness.
Morality implies a gloomy seriousness, while ethics implies a playful abundance. Note how the pair of opposites good versus evil implies moral decadence, which must be rectified by being offered a reward, or the threat of punishment. On the other hand, the ethical pair of opposites right versus wrong implies a search for and strengthening of the inner identity, quite irrespective of the outcome of the course of events in question. Note that we are speaking of an inner ethical identity that is created through the intention and is strengthened through action: it is definitely not about some kind of essence that is already at hand in the way that Descartes and Kant imagine the moral subject. The syntheist agent thus does not see ethics as arising from any kind of individual identity, but as a truth as an act that provides the tangible void in the centre of the subject with a sincerely longed-for attribute, however short-lived.
According to the principle of necessary subtraction, the only right and reasonable thing for the radically convinced person on many historical occasions is to simply withdraw from the system – to refuse to participate in the social game, to quite simply leave the system in order to build up parallel, temporary utopias, whose objectives with time are made permanent – and to do this together with dedicated syntheist brothers and sisters. What is right and reasonable is not just to shoot at a hydra that in any case cannot be felled, since new heads constantly sprout where the old ones recently were, but to live out truth as an act and thereby rob the hydra of its oxygen. To think is namely not to understand the world. Thinking is not separated from the world in such a way that this is even possible. To think is instead to act. The syntheist agent is a human being who acts without necessarily being able to articulate a full understanding of exactly why. She lets intuition guide her. It is first on the basis of her actions that the syntheist agent can work out the necessary meaning, in order to retroactively give her action this meaning. It is in any case in this way that consciousness and intuitive action relate to each other: the former explains and legitimises the latter by creating an appealing narrative that matches the pattern in the surroundings with which one identifies.
Syntheism is thus a revolutionary subtractionism. To subtract is to withdraw from the contemporary chaos in order to be able to formulate an accurate truth of the future that can then be given full expression. Both Critchley and the French philosopher Alain Badiou claim that the genuine utopia is based on subtraction and not destruction. But it is not a pause from reality such as during a capitalist holiday in the sunshine that we are talking about here. Critchley is even an aggressive opponent of the Marxist John Gray’s ideas of subtraction as a rational and tranquil oasis in an irrational and chaotic reality, something which he contemptuously considers to be a kind of passive nihilism. He rejects Gray’s external and objective shift within physical geography and replaces this with a genuinely syntheist subtraction, which is an internal and subjective experience that entails a shift in the mental landscape and makes possible truth as an act. Critchley calls this truth as an act mystical anarchism.
The foundation for this transrationalism – the conviction that rationality only functions within those areas where it is possible, and that critical thinking must be fully conscious of and discount this limitation in its world view – is laid with the Renaissance and Romanticism to then be consummated with syntheism. This means that syntheism’s connection to its previous sister epochs is cultural rather than epistemological. In addition, there is a strongly pragmatist connection: We humans are our actions just as much as we are our thoughts. To be a syntheist is to act based on one’s richest knowledge of the state of existence, but it is above all to always dare to act, and then draw valuable conclusions from this truth as an act. Or to personify syntheist activism: its heart does not get its nourishment from Jean-Jacques Rousseau’s rationalist idealism, but from Friedrich Nietzsche’s Romantic pragmatism. We act with an open, contingent and indeterministic future as the backdrop; a backdrop that we can know a lot about, but never everything, before we act. And in this situation, we honestly have no more reliable resource to use than intuitive reason, the ideal of the Renaissance and Romanticism.
When nation states construct heavy barriers along their borders and waste enormous sums of money on gigantic, impregnable and corrupt intelligence bureaucracies – with the stated or implicit aim that the free and open Internet must be brought to nothing – this is done with the rationalist arguments and concomitant demands for silence and obedience of the Enlightenment and Modernism. But it is once again a logic grounded in a blind paranoia and not in any scientific approach (the logic is occasionally dazzling, it is just that the foundation poor). The similarity with the axiomatic self-glorification of the Enlightenment and Modernism is striking. The only decent reply is syntheism’s requirement of a global opening of borders and free communication without either state or corporatist control and supervision: the libertarian truth as an act par excellence. Not because this response is a logically rational reaction, but because it is in fact an intuitively Romantic action; it is the only possible way out of suffocating alienation to the living religion. The dialectical transition from paralysing atheism to revitalising syntheism of course runs in parallel with this phase shift. Atheism’s hopeless dilemma is that it is the child of the Enlightenment and Modernism and, just like its parents, unaware of its own built-in, paralysing limitations. Syntheism is a radical response that also resolves this dilemma.
The romantic elevation of a single other human being to the only other, followed by a shutting out of the rest of the world as if it were hierarchically inferior to this only other is bizarre enough. That this deification is then mistaken for love is even more absurd. But if nothing else, the dark underbelly of this symbiosis-seeking manipulation is revealed by its ethical consequences. What characterises authentic ethics is namely that it is merely carried out, without a single iota of calculating ulterior motive, as an identity-reflecting truth as an act. Only then does the action become ethical: if not, the act can only be regarded as a cynical manipulation, a banal attempt to harness another person’s body and mind for short-sighted, egotistical purposes. Authentic love may indeed be an emotion, but the ethics that it must be based on are considerably more robust; it is a love that does not wait and see, that actually and most profoundly defies death. Syntheologically we express this by saying that love reveals itself in Entheos with its sights set on Syntheos, as a truth as an act originating in Atheos, carried out in Pantheos. But in order to understand how this complicated process works in practice, we must divide love into several dialectical steps.
In Ancient Greece, three different concepts of love are used: metaphysical love (agape), erotic love (eros) and friendship love (philia). The definitive test for love is attraction to the radically other, and this can only arise as agape. In this way, the three loves form not just a triangle but also an inclined plane, sloping from agape down towards the pair philia and eros. In the 17th century, Baruch Spinoza added a fourth concept of love: amor dei intellectualis, the intellectual love of God, a love sprung from an intellectual conviction and recognition of the actual conditions of things, above all in relation to his monist universe where God and Nature are two names for one and the same thing, Deus sive Natura. Spinoza’s amor dei intellectualis is first and foremost a radical act of will, which makes it truth as an act par excellence. For he maintains that the ethically desired attraction to the radically other does not start with the emotions we normally associate with love, but as a logically and cogently performed act of duty.
Spinoza’s concept amor dei intellectualis is a predecessor to Nietzsche’s complementary term amor fati, which was coined 200 years later. It is enough to add duration to Spinoza’s love which is dependent on logical dutifulness to the Universe in order to get Nietzsche’s love which is dependent on logical dutifulness to fate. In both cases it is about the same attraction as a truth as an act, where the identity-reflecting decision precedes the emotion. Syntheologically of course we place the universe-fixated Spinoza with Pantheos and the time-fixated Nietzsche with Entheos. That Nietzsche adds the arrow of time to the ethical equation results in amor dei intellectualis and agape being merged as the basis for amor fati. His own world view is of course based on the Abrahamic God’s death, and since it also heralds the death of the individual, the Nietzschean übermensch ends up in a deadlock where everything in history up until now must be loved – both dutifully and without reservation – since no external salvation or other mental relief whatsoever exists. This means that an accepting attitude is not enough: Nietzsche unreasonably maintains that in fact a transcendent love is required for a possible reconciliation with fate. Since the love of fate is logically deduced, a necessity for the ethical substance rather than some kind of freely chosen emotion, only metaphysical love, agape, is suitable for this task. Fate arises and must be loved as truth as an act where the events are fixed in history. Therefore we place amor fati in the oscillation between Pantheos and Entheos in the syntheological pyramid.
We arrive at asha and anchibasie at the same moment that we let their meaning pass from being-external observing to being-internal participation. From this point of departure in syntheist mysticism, of necessity we land in fact in relationalist ethics. No other philosopher either before or after Heraclitus – with the possible exception of its predecessor and source of inspiration Zoroaster – has been so close to defining metaphysical truth with such precision. For it is precisely in its intense closeness to the truth event – rather than in some kind of absorption into the event – that the metaphysical truth is manifested, in its constantly failing yet necessary attempt to unite the at least two at the core of the ontology. We express this by saying that through all the thousands and thousands of truths we constantly produce, we find the primordial eternalisation as the defining truth as an act for our existential substance, as the primal act for us as creative truth machines.
The original dividuation arises through an organic contraction. We can call this condition primitive subjectivity, in contrast to the organism’s primitive objectification of its environment. From primitive subjectivity, the organisms later develop into the thinking and feeling human being of our time with his language and his consciousness. The ideas are dialectical in nature, the intensities are aesthetic in nature. The existential experience is best described as an oscillation between these two poles. The more eternalist the syntheist agent is, the more mobilist the phenomenon becomes, and vice versa. The subject is produced by the perception in order to give the semiotic flow its context and meaning. But if the subject were not there, if it were not produced, both we ourselves and existence would remain irreducible multiplicities piled on top of each other without context or meaning. But without any form of personification, no unit arises. Without personification, a chaos can never be understood as a cosmos. Whether one later, like the classical mystics, claims that God ought to remain nameless in order to maintain God’s illusory personification, or as the syntheists say that the illusoriness should be affirmed openly, so that personifications can be infinitely produced as long as they are creatively and explanatorily motivated – syntheology starts with four, deeply rooted in the history of metaphysics – is rather a matter of preference. However the syntheists are happy to let this issue be decided in a future comparison of the creative effect of these positions. Up until then, the transrationalist question to the believer is: What standpoint do you choose to identify with and follow as your truth as an act in particular?
Never before has the ethical imperative of the truth as an act been clearer. What then follows in a Badiouian scenario is that the activism that emanates from the three unnamable names Atheos, Entheos and Pantheos builds the stable foundation for Syntheos, the formalisation and realisation of the utopia. Since syntheism’s mobilist universe is both contingent and indeterministic, obviously Syntheos cannot be realised through the historical objective’s mystical, eschatological arrival, in keeping with what Marxism and the Abrahamic religions so imaginatively preach. Syntheos is instead realised through a focused but nomadic, creative activism in a capricious, contingent universe, driven by the hope of the impossible suddenly appearing and being realised as the fourth singularity – an idea which is consummated by being theologised by Badiou’s declared syntheist disciple Quentin Meillassoux. The lesson from both Badiou and Levinas is that life-long devotion to truth as an act is the innermost existentialist substance of metaphysics.
The concept truth as an act is central in understanding syntheist utopianism’s refusal to be either optimistic or pessimistic. It is possible, not to say likely, that the great majority of people will always turn with sparkling eyes towards the charismatic authority up on one stage or another and demand an answer as to whether she is an optimist or pessimist in terms of the future, but even to formulate this question in a reasonable way requires so many nuances and so much clarification that a meaningful reply for mass consumption is impossible to imagine at all. The syntheist who protects her integrity and values a serious discussion about the future naturally declines, in a friendly but firm way, to express an opinion. This is where epistemology is replaced by ethics. It is here that we must refer to faith and its possibilities and to reject the demand for certain knowledge.
The truth about existence is so deep, so complex, so multifaceted, that it is impossible to reach, since it lies infinitely far from the outermost limit of Man’s perception and the power of mankind’s imagination (designed by the process of evolution for functional orientation in our environment, not for revealing the truth), on the other side of the border to psychosis. This means that quite irrespective of whether Man likes it or not, he is forced to outsource the deepest truth to theological mysticism. For what is the concept of God seen at the deepest level, if not the ultimate truth about existence which Man, with his mental limitations, never can reach? We therefore place the deepest truth with Syntheos, the God that we create based on the insight into our mental limitations, and we place it in the open-ended future, while at the same time we generate both scientific and existential truths through our actions. The truth as an act is not just the most important principle within ethics; according to transrationalism it is also the only possible truth within epistemology.
Meillassoux’s British colleague Simon Critchley defines the syntheist faith as a pure faith in his syntheist epic The Faith of The Faithless. Critchley argues that it is faith per se and not its object that is utopianism’s innermost essence. He calls his conviction mystical anarchism, and this is of course identical with the theological anarchism that we formulate in this work. From this position, there is then nothing that stops us from taking one further step; from the pure faith of mystical anarchism to syntheism’s pure religion, a spirituality in which the religious practice in itself is the innermost essence of the religion. In the spirit of Critchley, the pure religion’s basic faith is in the idea that faith itself is necessary in order to make the impossible possible. Creativity runs from Atheos via Pantheos to Entheos, and the name of the enabled impossibility is of course Syntheos. Pure faith in a practised form is thus syntheism, the pure religion. As pure religion, religion is alienation’s complete opposite and the only available weapon against the cynical isolationism in our contemporary world. Critchley’s answer to the question of what must be done in our time is identical with syntheism’s subtraction and its ensuing monastisation; he has had enough of the classical Left’s bloody cultural revolutions – led by malicious and irresponsible tyrants and fanned by pompous and adventure-loving philosophers – who quite apart from wreaking great havoc and destruction, sooner or later are always absorbed by precisely the power structures that they purport to attack, and thereby in the long run actually strengthening rather than weakening them. This occurs since this sort of revolutionary, just like the quantum physics researcher, is internal and not external in relation to the relationalist society within which she acts. Subtraction must therefore always precede the revolution as truth as an act.
It seems, ironically enough, as though Badiou’s and Zizek’s nostalgic notion of revolution suffers from a glaring lack of, precisely, the revolutionarity. The syntheists, on the other hand, have their sights set on something much more radical. The singularity is the definitive event according to the criteria we use in this book. And there are already three parallel revolutions in progress – even if Badiou and Zizek with their conservative templates and blinkers appear unable to apprehend them – namely: The expansion of the Internet, the relationalist paradigm shift within both physics and sociology and last but not least the chemical liberation. The singularity that is our transition from humanity to transhumanity is one of the three revolutions’ merging supraevents in a not too distant future. The fourth singularity in history is already waiting in the wings. All we need to do is take Critchley’s advice which tells us to first build the syntheist temples and monasteries, where through our subtraction from the surrounding world we can enable the revolution as the truth as an act of our time. We are ourselves the fourth singularity!
Syntheology is in turn the intensification of syntheism that is enabled when it sees itself as a truth as an act and focuses on one single wisely chosen eternalisation, in order to intensify the thinking based on this fundamental point. It is precisely this we mean when we say that correctly practised theology enables an intensification of philosophy. Syntheology’s well-chosen eternalisation is neither God nor the Individual, as in the previous paradigms, but religion per se as the network before all others in the informationalist society. The term religion – in its original significance as a social phenomenon that connects people with each other – is in fact synonymous with the term network. This means that syntheism is the metareligion that binds together humanity through practising a truth that sees the network – that is, religion per se – as sacred. Syntheology thus realises what has always been the innermost dream of a religion for religion’s sake.
What is interesting, when we get closer to self-love and self-hatred, is their diametrically opposed logical premises. Contrary to the conventional image of love and hate, where love is presumed to be directed at a thing and hate directed at a nothing, it turns out on closer inspection that quite the opposite is actually the case. Self-love is always directed towards Atheos, the necessary void at the centre of the subject. All love is love for the void in the object of love, but this fact never stands out more clearly than in the very act of love, this truth as an act of blind faith without either substance or emotions, from which all passions then get their driving force. A person who loves does not know more precisely what it is that she loves about her beloved, since what she loves about the beloved is the void in the centre of the love object and the possibility of projecting love onto this object that this void in fact makes possible.
According to syntheism, self-love is truth as an act above all others. Love yourself, without involving any emotions whatsoever, because you have no choice. Just act. Out of this conscious and logically cogent self-love as truth as an act flows love to everything else that exists in an intensely pulsating, creative Universe. The opposite of alienation-enjoying self-hatred could hardly be clearer. But self-love stands firm only in this fundamental conviction: that in essence love is a constitutional act without emotions and from which all other love passions later emerge. And this act in its purest form is self-love; the love of the encounter between the self and the divine where integrity arises. The moment when one’s self-image and world view attain a harmonious reconciliation with each other is the event that the syntheists poetically call the infinite now or the immanent transcendence.
Thereby self-love, as truth as an act, is the obvious foundation for all syntheist rituals and ceremonies. It is the eternally recurring starting point for all spiritual work, whose ultimate purpose is to give the members of the congregation a strong and stable personal integrity without narcissistic elements. Since the self is in constant flux, and since all other emotions are dependent on the act of self-love, the act of self-love must be repeated time after time after time in the syntheist agent’s life. This repetition – this cycle of difference and repetition, as Gilles Deleuze would express the matter – constitutes the Nietzschean core in the syntheistic spiritual life. A look at one’s naked body in the mirror, followed by the decision to unconditionally accept this body as the current expression of Pantheos, as the Universe’s construction for housing the subject and its consciousness and passions, as an object to love merely by virtue of an existential decision, a personal primordial event. “This is what I am, this is the body that houses my many dividual identities and I love this body in order to be able to love myself, in order to thereby be able to love anything at all. Because I identify myself with the will to love.” Truth as an act cannot be expressed any more clearly.
Syntheist art operates either from an estimate of the anticipated influence on the wider phenomenon – even if this forecast naturally seldom or never hits the mark perfectly – or even more preferably based on its own emotional composition, as an ethical art which strives to be a syntheist truth as an act. It also strives to establish a relationship to the universal through the particular. Syntheist art does this within these extremely restricted arrangements in order to maximise its creative expression – isolation and limited resources have always been key ingredients for innovative creation – but these tendencies are further strengthened in a society characterised by a massive informational surplus. Therefore informationalist art is best produced and reproduced in environments such as syntheist monasteries and participatory festivals.
Syntheism is the home where psychedelic practices are carried out responsibly and with creativity with regard to what is best for the congregation and the participating agents. Where solid scientific facts meet reported spiritual experiences, a practice is constructed which is often carried out in defiance of prevailing norms and laws in the surrounding society. But psychedelic practice is an act of faith of the inquiring mind, a truth as an act, before which the syntheist never subordinates herself to the nation state and the narrow-minded and prejudiced norms of bourgeois society. This applies even if chemical liberation entails a syntheist martyrdom. The social arena is of course already filled with a host of different psychedelic practices. The Swedish historian Rasmus Fleischer also points to the fact that even pathologised psychological states such as eating disorders and other self-destructive behaviour must be regarded as psychedelic practices. Sexuality and entheogens are closely related to each other. This explains, for example, why it is extremely hard to be focused on both things at once. Both sexuality and entheogens are fundamentally a question of manifesting the drive, that is, to repeat what is meaningless ad infinitum. But through this meaningless repetition, meaning is created, where sexuality generates eros and the entheogens generate philia.
Since syntheism is the religion of the Internet age, syntheist temples and monasteries are both physical and virtual. In its capacity as a potential manifestation of Syntheos, the Internet is an excellent environment for spiritual work. When the temporary experiments are transformed into permanent autonomous zones, they will emerge as finished temples and monasteries. In relation to the alienated, chaotic surrounding world, these oases of authentic living and sustainability will shine with the power of attraction. But they will also demand from new members an honest distancing of themselves from capitalism’s short-term and tempting superficial rewards; a distancing from bourgeois individualism and its fixation on exploitation in favour of netocratic dividualism and its quest for imploitation. This spiritual work must be carried out without the slightest instrumentality in human relations, without the least ulterior motive of any dividual gain for any single syntheist agent. Unlike the individual, the dividual is not the centre of existence, but subordinated to the network as the fundamental metaphysical idea. Dedication to the syntheist congregation is the bond to theological anarchism’s practical execution, without beating about the bush or any caveats. This dedication is confirmed before the community as a truth as an act, for example, in the syntheist act of baptism: the infinite now.
The genericist imperative is therefore to create the narrative of how the particular is already the universal: and once that narrative exists, the universal is made visible through the realisation of the generic. Since constructivism and transcendentalism have already been tried thoroughly and have failed, it requires no great measure of reflection to understand why syntheism is investing its heart and its soul in genericism. Political syntheism is a genericism, and since genericism has still not yet been tested, from a sceptical perspective the utopia is also fully possible. But it requires a truth as an act to in order to be realised.
Syntheism opens the way for an ethics of interactivity, based on the entangled, outstretched phenomenon’s quest for its own survival, its will to intensity and expansion. It is not in ethics and what the subject feels for the other that the primary arises. The primary is instead the existence of the Universe and how this existence manifests itself for itself by setting people in motion towards and with each other. Levinas’ individualistic infatuation is replaced by the manifestation of Syntheos in the encounter between people. This encounter does not get its existential substance via a certain emotion or a holy sacrifice in only one direction between two subjects isolated from each other, as Levinas imagines it, but in a conscious joint act between two equal agents – at once both entangled and autonomous – who realise that, through an act of will, they actually can and therefore choose to let agape into the relationship between them, who thus choose to sacralise the encounter and the joint action. Syntheos quite simply arises when love between people is established as a joint truth as an act.
The strategic prophet of the previous paradigm shift, G W F Hegel, defines his philosophical project as the construction of a bridge between the sacred and the secular. He distinguishes between three different spirits with the following characteristics: the objective, the subjective and the absolute spirit. What is important in our turbulent age here and now is to take Hegel’s advice and set aside the objective and subjective spirits to instead assume the vantage point of the absolute; to first equip ourselves thoroughly for the coming struggle between the bourgeoisie and the netocracy and then position ourselves on the battlefield, conscious of and in accordance with the radical truth as an act in the new paradigm. The paradigm shift is namely occurring right under the very noses of the old power elite; it establishes a completely new power system in a completely different place than the previous one (see The Netocrats) and thereby offers historically unique possibilities for a radical and genuine change in society’s orientation and organisation. But the paradigm shift can only be apprehended in the necessary detail from a position permeated by subtraction. Therefore the syntheist temples and monasteries are far more than merely exotic oases for some kind of collective spiritual pleasure. They are, in fact, the necessary points of departure, the revolutionary cells, in the subversive utopian project that goes under the name of the Syntheist Movement. It is there that new thoughts are being thought.
Last modified 7. August 2016 at 00:05:58